![]() The painting changed its owners few times over years it was at one time owned by Marie-Louise Durand-Ruel and then by celebrated collector Norton Simon, whose private collection was combined with the Pasadena Art Museum (California). Josse’s son Henri later recollected that from time to time his father packed a painting in the box on the top of his limo to show Monet a masterpiece from their own collection and enjoy his reaction. On their way back from the seaside, they brought regularly to Claude Monet fresh shrimps he liked so much. On the way to Bernheim’s weekend estate at Villers-sur-Mer they stopped for lunch at Monet’s home in Giverny to admire his paintings or choose some pieces for their collection. Provenance: Brothers Josse and Gaston Bernheim, the owners of the Bernheim - Jeune Gallery in Paris acquired the artwork directly from the hands of the artist. Pond with Water Lilies, 1919 Bidding: the Christie’s, 2008. To comprehend the poetry of the universe today, you should go to the Chicago and Boston in the USA - the Americans bought practically all paintings from The Grainstacks Series by Monet.Ģ. For him, the haystacks represented "the poetry of the universe in the small space of a field., a synthetic summary of the meteors and the elements." ![]() Gustave Geffroy, a famous French writer, a friend and biographer of Monet, saw in this series a grandiose effect stretching far beyond the farmer field in Giverny. By the end of January, he completed 25 pictures. But no sooner had I begun to paint than the lighting changed, two were no longer enough if I was to render a truthful impression of a specific aspect of nature and not end up with a picture from a number of different impressions," Monet later said. ![]() "At the start, I was just like everyone else: I thought two canvases would be enough, one for cloudy weather and one for sunshine. It has begun a special figurative form which the artist would later continue to work on in London and Rouen. The Grainstacks was the first Monet’s series of paintings composed of a huge number of canvases. Every day during six months (from August to January), he was going out to the field west of his garden to perform one of the most important revolutions in pictorial art. The title’s exact translation from the French "Muele" is "Grainstacks," but the series has come to be known as the Haystacks. These thatched roofs protected the grain from moisture and rodents until the very spring. In fact, the constructions depicted are not haystacks but granaries, or grainstacks, covered with conical roofs. The oldest and most significant gallery in the USA closed down in 2011.Ībout the artwork: A farmer field with haystacks was just next to Claude Monet’s garden in Giverny. Knoedler & Co turned up at centre of a serious scandal: several collectors who bought paintings by Mark Rothko and Jackson Pollock for millions dollars in the gallery, discovered that they own master art forgeries. When an agent from the American gallery came to see Claude Monet’s haystacks' series, the artist proposed him to choose one from the five, following his demonstration with quite a rare confession, "I believe that I have succeeded well and it is not often that I say that about what I do." The painting had changed several owners in the USA, Switzerland, and France before it set a new record for Monet at the auction in 2016. Later on, Michael Knoedler, a head of the American branch, bought the affiliate and became its owner. Founded in the USA in 1848 on a provincial art market, Knoedler & Co was a branch of a French gallery Goupil & Cie at first. The oldest and the most famous one, it emerged in New York long before the first American museums and big collections appeared. Monet obtained several thousands francs per picture.Ī legendary American gallery Knoedler & Co was the first owner of the mentioned painting. ![]() Most of the paintings were bought right on the spot, at the Galerie Durand-Ruel. They decided to make an exhibition, which actually had a great success. Provenance: Early in 1891, Monet invited Paul Durand-Ruel to Giverny to show him a new series of works - the haystacks depicted at different seasons, at different weather conditions and at the changing light during a day.
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